Who Composed The Opera The Magic Flute?

Who is the compose of The Magic Flute?

The Magic Flute, German Die Zauberflöte, singspiel in two acts by Wolfgang Amadeus Mozart, with a German libretto by Austrian actor and theatrical producer Emanuel Schikaneder.

Who is the composer of the famous opera The Magic Flute?

The Magic Flute (or Die Zauberflöte in the original German) was written by Wolfgang Amadeus Mozart (1756–1791).

Who commissioned the Magic Flute?

During his work on “The Magic Flute”, Mozart received commissions for two further works, which he accepted. He was to compose a requiem for an anonymous patron and the opera “La Clemenza di Tito” for the coronation of King Leopold in Prague.

What is the story of The Magic Flute by Mozart?

The Magic Flute is a fairy tale, with themes of love and of good versus evil. The opera is divided into two acts. Tamino, a prince, is alone in the woods, fleeing a deadly serpent. He faints but is saved by three ladies who are the attendants of the Queen of the Night.

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Is the Queen of the Night Good or Evil?

So, the Queen of the Night is not purely evil as she is sometimes described, nor is she purely good. Unlike many of the other characters, her personality is realistic and multi-faceted. She has both a cold, calculating side and a gentle, caring side.

What killed Amadeus Mozart?

The story of The Magic Flute focuses on the triumph of reason and virtue over irrationality and evil. This concept was important in Freemasonry, a fraternal order that was popular during the Enlightenment and of which Mozart was a member.

Is The Magic Flute a romantic music?

The Magic Flute offers Romantic transformation. Music as experience as well as music in the plot becomes an agent of the opera’s Romance. of transcending ordinary experience. Mozart revised the libretto in order to express more humanitarian ideas or to avoid competition with a rival singspiel (Abert 1252).

Why is The Magic Flute famous?

The Magic Flute is noted for its prominent Masonic elements, although some scholars hold that the Masonic influence is exaggerated. Schikaneder and Mozart were Freemasons, as was Ignaz Alberti, engraver and printer of the first libretto.

How high is the Queen of the Night aria?

Her aria ‘Der Hölle Rache’, more commonly known as the Queen of the Night aria, reaches an astonishingly high, Mariah Carey-level F6 above top C. It’s an aria reserved only for the most daring sopranos, like Mozart’s sister-in-law Josepha Hofer (the original Queen of the Night) and German opera singer Diana Damrau.

What was Mozart working on when he died?

Requiem in D Minor, K 626, requiem mass by Wolfgang Amadeus Mozart, left incomplete at his death on December 5, 1791. Until the late 20th century the work was most often heard as it had been completed by Mozart’s student Franz Xaver Süssmayr.

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What is the melody of Queen of the Night?

“Der Hölle Rache kocht in meinem Herzen” (“Hell’s vengeance boils in my heart”), commonly abbreviated “Der Hölle Rache”, is an aria sung by the Queen of the Night, a coloratura soprano part, in the second act of Mozart’s opera The Magic Flute (Die Zauberflöte).

Why is The Magic Flute An opera?

It’s a Singspiel opera Like most Singspiel operas, The Magic Flute (Die Zauberflöte) features comedy, magic and fantastical creatures. This timeless opera follows the adventures of Prince Tamino and Papageno on their search for the Queen of the Night’s daughter, Pamina.

What is The Magic Flute based on?

A partial answer emerges in the backstory of Schikaneder’s troupe, which had been performing “fairy-tale operas” for several years before The Magic Flute. In 1789, they staged a performance of Karl Ludwig Giesecke’s Oberon, a Singspiel that inspired many of the characters and plot turns in The Magic Flute.

What influences can be found in The Magic Flute?

Influences include Arthurian romance as well as more contem- porary works such as a short story by the poet Christoph Martin Wieland in the 1780s that features a fairy who enlists a prince to rescue a young maiden, giving him a magic flute to help him along his way; and an essay on Egyptian mysteries by Vienna’s

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